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Showing posts with label journalism. Show all posts
Showing posts with label journalism. Show all posts

Tuesday, December 4, 2012

Control all 3 (connectors + mavens + salesmen). Control the network.

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The Law of the Few.
The success of any kind of social epidemic is heavily dependent on the involvement of people with a particular and rare set of social gifts:
  1. Connectors = SML#Hub = SML#HR
  2. Mavens = SML#Journalism = SML#Media
  3. Salesmen = SML#Marketing = SML#PR
— Malcolm Gladwell, The Tipping Point

Control all three. Control the network.
— SML Network Theory

“Control all three. Control the network.” / SML.20121204.PHIL

“Control all three. Control the network.” / SML.20121204.PHIL

People often ask me why I am so active on social networks, what I am trying to do, and what my “end game” is. My objective for SML Universe (org) is to give a voice to people who have no voice because of social bigotry. In order to do what I set out to do in order to effect change, Malcolm Gladwell’s book The Tipping Point suggests that I need to become all three types of people: connectors, mavens and salesmen. And this is what I try to do.

1. Connectors = SML#Hub = SML#HR

I try to go to different universes to meet random people. People who don't do what I do is interesting to me because I don't know anything about them. I am usually interested in things which I don't know anything about so I ended up meeting lots of people who do not seem to relate. Because of this, I find myself often functioning as an HR for jobs, and I am more than happy to send introductions to people because I believe that when awesome people come together they often create amazing, beautiful, and creative things.

2. Mavens = SML#Journalism = SML#Media

When I see interesting things happening when I explore the random universe, I like to blog about them. I enjoy photography so I tend to record a visual record of what I see. Photojournalism is therapeutic and it gives me opportunities to write, so I do a lot of it. It was said that pictures say a thousand words and I certainly believe so. Often people don't have the time to read my essay length blog posts but most don't mind looking at photos. So that works out nicely. I also started turning my photography into videography interviews. I enjoy every opportunity to create as the act of creation gives me the thrill. It is my happiness life hacks. The bonus is that I get to write music as soundtracks so those are all very fun.

3. Salesmen = SML#Marketing = SML#PR

When I publish content I always simulcast to multiple social media networks. Most people believe that they only need to be on a single network, so in order to to reach the entire critical mass I post the same thing to multiple networks, all with very different audience. This works out nicely. Content where people like on Flickr are often very different than those for Instagram or Foursquare or Twitter or Facebook or Tumblr. Since I can't really tell when and why people will like something, covering the entire UGC content media network is important, and is also what I advise / recommend companies in the business of reaching critical mass do when I do marketing strategy for them.

Sunday, November 4, 2012

Journalism Ethics: Thoughts on Forbes' report about Sandy by Mark H. Bergen

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A few days ago I saw a tweet posted by Forbes (@forbes / SML Wiki) written by Mark H. Bergen (@mhbergen / SML Wiki) in which it was summarized as “Asian megacities are awaiting superstorm fates much worse than Sandy”

Media reports like these infuriates me, because instead of spending valuable resources in solving the crisis, Forbes has chosen to use this as opportunity to trivialize technologies in Asia.

I consider this form of journalism to be propaganda—a report disguised as “analysis” to further hate and dis-education about the reality of technology in Asia and to further the fanatic “patriotism” for Americans into believing that they are truly far superior in everything that they do.

What is far more alarming then is that the title tag of Forbes.com declares themselves as “Information for the World's Business Leaders“. If articles like this is considered valuable information for “World's Business Leaders” then I would like to know how Forbes define the word “business leaders”.

But this gets worse. I got a reply from Mark Bergen on Twitter suggesting that I am questioning his journalism integrity in reference to World Bank / ADB / UN data.

Say what? How does a journalist, a self declared “business reporter… [who blogs] on urban economics for Forbes and report on politics and policies for The Atlantic Cities, GOOD, and Next American City, among others… worked as an investigative reporter and policy researcher“ (www.markhbergen.com/) with a “BA in sociology from the College of Wooster” and a ”Masters in Public Policy from the University of Chicago” came to interpret my criticism as something as moronic as that?

Mark Bergen thought that I was misquoting him because he did not write that. Ok so perhaps I should not put quotes on things which people did not write, but the implications are the same. If he did not write the words “poorer civil engineering” then he most definitely wrote this bit right from the beginning of the article:

the morbidly obvious: emerging market cities are deeply vulnerable to climate change disasters like Sandy. Even if future storms are lesser, their impact on coastal Asian cities would be greater. The combination of booming populations and inadequate infrastructure means sea-level rise alone could paralyze Shanghai, bankrupt Kolkata and make Mumbai virtually unlivable.

If this was not @mhbergen's thesis, then I think that he ought clarify with Forbes as evidently Mark seems to think that I have mistaken his viewpoint.

I am still waiting for responses from Mark Bergen and Forbes for their clarification of intention in publishing this article.

Nothing wrong with criticisms, but clear slandering like this is simply unethical. If this had appeared on a personal blog I would dismiss it as narrow-minded-ness. But this article was not published on a personal blog. It was published on a “mainstream” media site. I tend to consider that anything that's considered “mainstream” to have at least a little bit of moral conscience in deciding what to publish but clearly this is not the case.

Is this why this media publishing conglomerate is privately held (Google Finance)? Being privately held does not grant a publication intended for public consumption — especialy one with a large circulation — to publish anything one wishes. The Economist (Google Finance) is also privately held yet their articles appear to be relatively objective — at least they are ethical. It's hard to maintain an unbiased viewpoint because our experience are formed by what we experienced in our past, but having the foresight to recognize that people are simply different — in other words that life is diverse — allows us to then gain insight to see how we can learn from each other. Failing to see one's weakness and yet blatantly laugh at others is unacceptable.

In Chinese, we have a saying: “五十步笑百步” (Wikipedia: ZH-HK), and it appears that there is a similar saying in English: “The pot calling the kettle black” (Wikipedia: EN). In essence, when you failed to observe that that you are no better if not worse at something, you are frankly in no position to criticize others — let alone without any ability to offer suggestions on how you think something could be improved on.

Yesterday I came across an interesting documentary from North Korea called “Propaganda” which criticizes the US Media's ethics for massive brainwashing people the culture of consumerism:

Someone on YouTube commented which seems fitting though nevertheless interesting:

Propaganda vs propaganda, at least it balances the american media, and is still less crazy than Fox News...
lelorenzo

If you have the time, I recommend that you check it out. Interestingly, YouTube marks the video as “17+ materials”. There is nothing pornographic about it – but it would appear to me that even YouTube feels that media consumption without a critical eye is poison to the soul.

Don't place too much emphasis on whether it's US media or that it was produced in North Korea. The focus here is not really about US vs Asia vs World, it is on the effect of media and how it can shape the way we think if we do not always keep an open mind on everything that we read / see regardless of source.

My key take away? Do not blindly trust any single source for information. Read everything. Be diverse. Maintain a personal viewpoint. Be critical. Be curious. Or as Steve Jobs once quoted the back cover of The Whole World Catalog during a Stanford commencement speech: Stay Foolish, Stay Hungry.

Update: 2012-11-05

I have finally received a respond from Mark H. Bergen (@mhbergen) after I posted this blog post.

I don't know why people constantly reference data source as validation. Data source says nothing. Data source is just that: data. Analytics is processed data. Opinions is human thoughts derived through analytics processed from data. Input / Output. The two things do not equate.

But the even more wtf comment would follow next:

Why is Mark asking me about “orientalism”? Did I say that anywhere in my post? Very strange.

In fact, this recurring pattern of MHB's failure to interpret my English makes me think that maybe I am a very poor writer. Either that or he is a very poor English interpreter. A friend upon reading this blog post and checking out SML Wiki: Mark H. Bergen commented that he was shocked by the fact that MHB holds a Masters in Public Policy from The University of Chicago (Twitter). “How is it possible that someone from UChicago to have such poor analytical skills,” he remarked. I have no idea.

Extra: Screenshot of my conversation with Forbes and Mark Bergen on Twitter

Twitter: Forbes @forbes: Asian megacities are awaiing superstorm fates worse than Sandy, writes @mhbergen. http://bit.ly/SucugX / 2012-11-01 / SML Screenshots

Twitter: Forbes @forbes: Asian megacities are awaiing superstorm fates worse than Sandy, writes @mhbergen. http://bit.ly/SucugX / 2012-11-01 / SML Screenshots

Monday, November 23, 2009

Facebook + Flickr + Vimeo + YouTube: Simulcasting videos on multiple social networks

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I usually simulcast my videos on multiple video social networks: Facebook, Flickr, Vimeo and YouTube. Many people ask me why I do this, so I thought that I would give give an analysis of these video networks, the pros + cons of posting to them, and the audience that they tend to attract.

Facebook

Video Social Networks: SML Facebook Videos / 2009-11-22 / SML Screenshots (by See-ming Lee 李思明 SML)

Facebook is a closed network, so your Facebook friends will see your videos but if you intend your videos to be viewed by people who are not in your network, you are out of luck. While Facebook allow you to share the video with people outside of the network, it will never get indexed by search engines, so you will never get search traffic from it. This is good for personal videos, but for the sake of journalism / photojournalism it is possibly useless unless you have a very large following.

One benefit of posting to Facebook though is the people tagging feature. If your video is about a particular person, tagging them will auto-alert them so you don't have to let them know via emails. Additionally, if you tag the person who is also on Facebook, it will then get posted to that person's wall, which can potentially reach the friends of the person's Facebook friends, reaching an even larger audience.

Further, since your Facebook network is likely composed of people you actually know (compared to your Flickr / Vimeo / YouTube contacts who may likely be people you have never met in person, the likelihood of them checking it out is higher even if the video subject matter does not immediately interest them.

Flickr

Video Social Networks: SML Channel on Flickr / 2009-11-22 / SML Sceenshots (by See-ming Lee 李思明 SML)

Most of my videos feature still photography, and since Flickr has traditionally been my social network stronghold (I have 3,000,000+ views on my stream), so it makes sense for me to post to Flickr. I could also link the still photography references in the description area so if someone sees something in the video that video that they would like to use per Creative Commons, they can find the source within the network.

Groups on Flickr are diverse and plentiful. This means that you can post your video to a very targeted audience, often outside of your existing social networks (aka contacts).

One annoying aspect of Flickr videos is that there is no way for you to set a thumbnail, so even if the thumbnail selected by the system is not the a good representation of your video, you are pretty much stuck with it.

There is a video duration posting limit on Flickr. Videos can be up to 1 minute and 30 seconds. If you post videos that are longer than that, they will be 'cropped' automatically. If your video is longer than 1:30, what you can do is post a 90-sec clip teaser / trailer on Flickr and then refer to your video posted on other network. I usually try to keep them all at the same length unless it is impossible to do it in a single go. This limitation has in fact got me to be a better video editor — constraints tend to drive better creativity. Sometimes the videos (mostly interviews) can be broken down into multiple parts anyway, and I post these clips separately. You might get a higher view anyhow as it's a lot to ask someone to sit through a 10-min video, but if someone like your first 1:30 clip, chances are they are more likely to check out the other video parts.

Vimeo

Video Social Networks: SML Channel on Vimeo / 2009-11-22 / SML Screenshots (by See-ming Lee 李思明 SML)

Vimeo provides many social features not found on other networks.

You can tag people who appear in the video, but you can also provide credits and set different roles for people who were involved in the production.

On Vimeo, you can reference still photography directly. If you provide your photo URLs, Vimeo will display those photos / stills from the video on the video page. This is helpful in cases where others wish to blog about your video or post to image sharing networks.

I wrote a bash script to facilitate this process more easily: flickr2vimeo (hosted on github). This is how it works: open up a Flickr page in your browser with all the images you wish to include. This may be a set page, photos from tags, whatever. Make a selection of of those photos and then view selection source, copy and paste those HTML in a file and run the script in your shell: it will then dishes out the comma-separated URLs that Vimeo requires. I am sure that there is a more elegant way of doing this, but it works for now. Eventually I would like to allow tag input or URL input so I won't have to do the selection source step - feel free to develop on top of it!

Vimeo requires your content to be original, and prohibits commercial postings, as such, there is a relatively large and active art / filmmaker following. So this is a network that you should definitely post to if you have contents in this area. Like Flickr, Vimeo has a diverse and committed community who participate in groups, and posting your videos to those groups will allow you to reach a larger and targeted audience more easily.

On top of your user page, it is very easy to create your own channels, albums, etc. If your videos are episodic, this is very beneficial as they get clustered nicely without additional navigation.

YouTube

Video Social Networks: SML YouTube / 2009-11-22 / SML Screenshots (by See-ming Lee 李思明 SML)

If you wish to reach the largest audience on the Internet, YouTube is your best bet. YouTube is free and natively support HD content. Vimeo supports HD but you will have to pay extra for HD embedding. The same is true for Flickr.

YouTube is own by Google, so there is a very good chance that it will get indexed by Google servers almost instantly. If your video is time-sensitive, news-worthy or viral in any manner, it has high value as they also show up on Google web search results. Your videos will likely show up on Google video search as well. And while Google Video does index Vimeo and Flickr videos, the Google interface will not play those videos directly from the search results page. So again, if you are doing journalism / photojournalism and intend to reach the largest audience, YouTube is your friend.

One additional aspect regarding YouTube that is often overlooked is YouTube's partnership agreements with multiple mobile devices and consumer electronics. For example, Safari on the iPhone / iPod touch does not support the Flash player, so you can't really see video content on Vimeo, Flickr and Facebook natively. You can sometimes see video on Flickr and Facebook if you use their iPhone app, but on occasion they just won't play. I don't know if there are just kinks on those apps that the developers need to work out, but the YouTube app will play everything. YouTube's iPhone app also plays the highest quality video among others: the Flickr video in the Flickr app is often choppy and leaves much to be desired. YouTube on Apple TV is also top notched. HD videos is so much sexier on the 100" projector!

Wednesday, October 21, 2009

Choichun Leung / 13th Annual DUMBO Art Under the Bridge Festival NYC 2009: Part 10 of 10 / Art + Artists

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Choichun Leung (Facebook / LinkedIn / SML Flickr) is a Chinese American artist living in New York. I met her towards the end of my gallery visits during the 13th Annual DUMBO Art Under the Bridge Festival in New York this year.

Choichun Leung / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54951.P1.L1.SQ.BW / SML (by See-ming Lee 李思明 SML)

When I first saw her paintings I had originally thought that she had a graphic design background because of their calligraphic and typographic nature, but it turns out that she was educated in the UK at Loughborough College in 3D Design with a concentration in Jewelry and Silversmithing. Here's a short video interview where she talks about herself and her work:


SML 720p HD Simulcast: Facebook / Flickr / Vimeo / YouTube


And some photographs of her paintings (detail) shot that same day:

Mixed Media Painting (Detail) by Choichun Leung / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54927.P1.L1.C23 / SML (by See-ming Lee 李思明 SML)

Mixed Media Painting (Detail) by Choichun Leung / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54932.P1.L1.C23 / SML (by See-ming Lee 李思明 SML)

Mixed Media Painting (Detail) by Choichun Leung / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54929.P1.L1 / SML (by See-ming Lee 李思明 SML)

Mixed Media Painting (Detail) by Choichun Leung / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54933.P1.L1 / SML (by See-ming Lee 李思明 SML)

You can check out her portfolio at http://choichun.com.

Biography


http://www.choichun.com/artist.html
Choichun Leung left Wales when she was seventeen to pursue a degree in metal-smithing at Loughborough college of Art and Design in the UK, afterwhich she studied Buddhist iconography in both Beijing and the Yangkung caves in China's Shanxi province. In 1988 she moved to London where she studied under the Ray Man Chinese Orchestra as a percussionist and a student of the Gu-qin - a traditional Chinese bass zither. Leung worked in Hong Kong as a background artist for animation film before returning to London in 1992 where she received a grant and Gold Award from the Prince of Wales' Youth Business Trust for the most innovative new business of the year: a line of symbolic art products using the traditional technique of Chinese paper cutting. With music and the arts always hand in hand, Leung came to New York in 1994 where she began painting seriously, worked as an assistant to artist Peter Max, and studied music composition. From that point forward, Choichun's artwork has been inextricably entwined with her interest in music and have continued to influence each other. As the single mother of a young daughter, Choichun moved to Germany in 2002 to write music, perform and collaborate on an audio/visual project based in Koln. Upon the invitation of a gallery in 2006 she returned to New York. Most recently Choichun has been featured in two solo exhibitions at JLA Baxter House in Manhattan and will take part in a group showing in Hamburg in November 2008. Choichun currently lives in Brooklyn, NYC.

Artist Statement


http://www.choichun.com/artiststatement.html
Our lives are as long as we remember. Our memories are imbedded in us like DNA. But what of lives that through trauma or age have lost memory? What of the interplay of conscious thought and the sub-conscious? Which one really drives the show? My paintings are like rorschach tests in reverse, a psychological diary of that moment in time, an investigation of the relationship between past and present, reality and illusion and in effect a blue print to the past self. Through the symbolisms revealed, and the stories or objects we project into the abstract, we expose another layer of ourselves and in turn provide clues to what may not be fully aware. My paintings are simple traces of that activity, void of any meaning, but imbedded with the years of experience that shapes us, yet also holds us hostage.

Choichun never paints from sketches but instead allows the process and medium dictate. Each application is an expressive gesture evoking the emotion and inner psychology of that moment, a conflicted excavation of what may be hidden or imagined. The script like lines emerge as a non-cognitive language or what she has come to identify as 'glyphs' - a pictographic personal alphabet; where 'glyphs' document the days, weeks and months spent on a piece. The one actual reference that Choichun can identify in her work after the fact springs from her background in music and her fascination with its chaotic notes and interpretive patterns. These can be seen in the work's fine, rhythmic and frenetic lines as well as in the heavier, poured-on, black & white 'mono-glyphs' which overtake the paintings like visual representations of a sound. Choichun paints on both wood panels and canvas, using liquid acrylic, aerosol, oil bars and thread . With sticks, brushes, trowels and vessels: applying the paint and then scratching through the layers to reveal what is underneath, scripting with ‘glyphs’ throughout, painting over, sanding down and repeating this process until an image is revealed or another is hidden.

13th Annual DUMBO Art Under the Bridge Festival NYC 2009
+ 01: Overview
+ 02: Ruza Bagaric
+ 03: Brooklyn Art Project
+ 04: James Cospito
+ 05: J. F. Bautista
+ 06: Ellen Driscoll
+ 07: Fernando Souto
+ 08: Agata Olek
+ 09: Dean Russo
+ 10: Choichun Leung
Related SML Universe
+ SML Fine Art (Flickr / FriendFeed / Twitter)
+ SML Flickr Collections: Art + Artists
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
+ SML Pro Blog: Art
+ SML Vimeo Album: Dumbo Art Festival 2009
+ SML YouTube Playlist: Dumbo Art Festival 2009

Tuesday, October 20, 2009

Dean Russo / 13th Annual DUMBO Art Under the Bridge Festival NYC 2009: Part 9 of 10 / Art + Artists

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Dean Russo (Etsy / Facebook / SML Flickr / Twitter) is an American pop-artist based in Brooklyn. I paid his studio a visit during the 13th Annual DUMBO Art Under the Bridge Festival in NYC in 2009. Here are some photographs and interview videos shot that day.


1. Process + Methodology. Dean Russo chats with See-ming Lee (SML) and Mac Farr (MMF) about the process and methodology in creating his mixed media paintings. The artist also mentioned interesting aspects of how the economy fundamentally changes the way he works.



SML 720 HD Simulcast: Facebook / Flickr / Vimeo / YouTube

2. Subject Matters. Dean Russo talks about how he picks his subject matters for his mixed media paintings.



SML 720p HD Simulcast: Facebook / Flickr / Vimeo / YouTube

3. Source of Inspiration. Dean Russo chats with Mac Farr about where he gets his inspiration — graffiti in Brooklyn apparently!



SML 720p HD Simulcast: Facebook / Flickr / Vimeo / YouTube

4. Artist Toolbox. Touring Dean Russo's artist studio was an interesting experience, as I haven't really met any pop artists in person before. Here we find many interesting tools not commonly found in an artist toolbox: stencils, spray paints, etc. It's quite a wonder to see, but there are also the familiar tools like color pencils and pastels.


Artist Toolbox: Dean Russo / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54892.P1.L1.CC / SML (by See-ming Lee 李思明 SML)


Artist Toolbox: Dean Russo / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54862.P1.L1 / SML (by See-ming Lee 李思明 SML)


Artist Toolbox: Dean Russo / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54869.P1.L1.C23 / SML (by See-ming Lee 李思明 SML)


5. Process. Most people like to see the end result, but I prefer seeing the process. I believe that process is an important part, without it you cannot have the result. During our interview, Dean told me about his entire process in creating his mixed media paintings, as long as I don't record it nor write it down. As such, I cannot really write about it either but all I can say is that I find it very interesting — that an artist workflow is not far from that from designers (my primary profession).


Mixed Media Painting Work-in-Progress inside Dean Russo's Studio / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54887.P1.L1 / SML (by See-ming Lee 李思明 SML)


6. Dean Russo's mixed media paintings include many iconic public figures, but interestingly also many cats and dogs — many of which are commissioned work. You can purchase his paintings at his Etsy site. Most items are priced around $69 depending on their sizes, which is quite a bargain for original artwork — it's not uncommon to find fine art prints asking for more than that these days so 1/1 editions at that price is a great deal!


Mixed Media Painting by Dean Russo / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54883.P1.L1.CC / SML (by See-ming Lee 李思明 SML)

Mixed Media Painting by Dean Russo / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54890.P1.L1.CC / SML (by See-ming Lee 李思明 SML)


Mixed Media Painting by Dean Russo / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54881.P1.L1.CC / SML (by See-ming Lee 李思明 SML)


13th Annual DUMBO Art Under the Bridge Festival NYC 2009
+ 01: Overview
+ 02: Ruza Bagaric
+ 03: Brooklyn Art Project
+ 04: James Cospito
+ 05: J. F. Bautista
+ 06: Ellen Driscoll
+ 07: Fernando Souto
+ 08: Agata Olek
+ 09: Dean Russo
+ 10: Choichun Leung

Related SML Univese
+ SML Fine Art (Flickr / FriendFeed / Twitter)
+ SML Flickr Collections: Art + Artists
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
+ SML Pro Blog: Art
+ SML Vimeo Album: Dumbo Art Festival 2009
+ SML YouTube Playlist: Dumbo Art Festival 2009

Saturday, October 17, 2009

Agata Olek / 13th Annual DUMBO Art Under the Bridge Festival NYC 2009: Part 8 of 10 / Art + Artists

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The highlight of my DUMBO Art Festival tour was meeting Agata Olek (Facebook / Flickr / SML Flickr Set) and her 100% Acrylic Art Guards.

Agata Olek / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54812.P1.C23.BW / SML (by See-ming Lee 李思明 SML)

100% Acrylic Art Guards by Agata Olek / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54531.P1.L1 / SML (by See-ming Lee 李思明 SML)

Olek was born Agata Oleksiak in Poland and graduated from Adam Mickiewicz University in Poland with a degree in cultural studies. In New York, she rediscovered her ability to crochet and since then she has started her crocheted journey/madness.

Here's my video interview with her the day we first met:


SML 720p HD Simulcast: Facebook / Flickr / Vimeo / YouTube
"I think crochet, the way I create it, is a metaphor for the complexity and interconnectedness of our body and its systems and psychology. The connections are stronger as one fabric as opposed to separate strands, but, if you cut one, the whole thing will fall apart.

Relationships are complex and greatly vary situation to situation. They are developmental journeys of growth, and transformation. Time passes, great distances are surpassed and the fabric which individuals are composed of compiles and unravels simultaneously."

100% Acrylic Art Guards by Agata Olek / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54776.P1.L1.SQ / SML (by See-ming Lee 李思明 SML)

Olek's work has been presented in galleries from Brooklyn to Istanbul to Venice and Brazil, featured in "The New York Times", "Fiberarts Magazine", "The Village Voice", and "Washington Post" and drags a tail of dance performance sets and costumes too numerous to mention.

100% Acrylic Art Guards by Agata Olek / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54773.P1.L1 / SML (by See-ming Lee 李思明 SML)

Olek received the Ruth Mellon Award for Sculpture, was selected for 2005 residency program at Sculpture Space, 2009 residency in Instituto Sacatar in Brazil, and is a winner of apex art gallery commercial competition. Olek was an artist in an independent collective exhibition, "Waterways," during the 49th Venice Biennale. She was also a featured artist in "Two Continents Beyond," at the 9th International Istanbul Biennale.

100% Acrylic Art Guards by Agata Olek / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54798.P1.L1.C23 / SML (by See-ming Lee 李思明 SML)

Olek herself however can be found in her Greenpoint studio with a bottle of spiced Polish vodka and a hand rolled cigarette aggressively re-weaving the world as she sees.

The Line Up / 100% Acrylic Art Guards by Agata Olek / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54790.P1.L1.CC / SML (by See-ming Lee 李思明 SML)

Check out her portfolio at agataolek.com.

13th Annual DUMBO Art Under the Bridge Festival NYC 2009
+ 01: Overview
+ 02: Ruza Bagaric
+ 03: Brooklyn Art Project
+ 04: James Cospito
+ 05: J. F. Bautista
+ 06: Ellen Driscoll
+ 07: Fernando Souto
+ 08: Agata Olek
+ 09: Dean Russo
+ 10: Choichun Leung

Related SML Univese
+ SML Fine Art (Flickr / FriendFeed / Twitter)
+ SML Flickr Collections: Art + Artists
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
+ SML Pro Blog: Art
+ SML Vimeo Album: Dumbo Art Festival 2009
+ SML YouTube Playlist: Dumbo Art Festival 2009

Friday, October 16, 2009

The End of the Trail by Fernando Souto at Smack Mellon / 13th Annual DUMBO Art Under the Bridge Festival NYC 2009: Part 7 of 10 / Art + Artists

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Also showing at Smack Mellon right now is the series titled The End of the Trail by Fernando Souto. I thought taht it would be odd to photograph someone else's photographs so I decided to do a video of the opening reception instead — you can call this the art + art lovers remix!



SML 720p HD Simulcast: Facebook / Flickr / YouTube

Exhibition description fetched by SML Bio Bot:

“My parents emigrated from Uruguay to Australia when I was eighteen months old. With my extended family still in Uruguay, I never had the opportunity to really know my relatives, particularly my grandmother, who always seemed to be really old to me. The brief, scrambled, international phone calls throughout my childhood did little for me to understand who I was and where I had come from.

In 2002, my grandmother turned one hundred years old and I got a brief opportunity to spend some time with her. Looking at family photographs and listening to the stories of her childhood inspired me to start this photographic project titled, The End of the Trail. During my stay in Uruguay, I set out to photograph the essence of her stories and to gain a greater understanding of my heritage. My thoughts of ranch life were mostly filled with romantic ideals of freedom and independence. I had no concept of the harsh environment that the ranchers lived and worked in, and how the intense solitude defines them. At that moment, I decided to immerse myself in their day-to-day lives, pulling from these experiences to create a unique perspective of their fading culture.

From my initial trip to Uruguay in 2002, my interest in this project evolved, and I decided to expand into other countries where ranching had a significant presence in the culture and traditional working techniques still existed. Through extensive research I decided upon seven countries that had adapted the original working techniques of the Spanish Conquistadors and established a ranching heritage that spanned centuries. Those countries include Spain, Mexico, the United States, Argentina, Uruguay, Brazil and Australia.

To date, I have covered cattle ranches in central Australia, Uruguay, Montana, Nevada and Wyoming. My plan is to complete this photographic series, which would include south Australia, Argentina, Brazil, Spain, Mexico and two additional regions in the United States. I had never intended for this documentary to be a weightless visual record, but an enduring photographic series that is told on the faces of the people that live and work in this unique global culture.”


Fernando Souto currently lives and works in Brooklyn, New York. Born in Montevideo, Uruguay in1972, Souto immigrated with his family to Sydney, Australia in 1974. Before studying photography at The Fashion Institute of Technology in 1994, he apprenticed with a Sydney-based photographer specializing in black & white printing. Originally planning on becoming a commercial photographer, he pursued assisting work with location-based portrait photographers throughout the late nineties. In 2002 Souto began his long-term project titled The End of the Trail, a humanistic story of the contemporary cowboy that spans seven countries. This series is shot on film and printed using traditional black and white gelatin papers. In 2008 Souto was chosen to attend the Review Santa Fe and exhibited his work at the Michael Mazzeo Gallery (NYC). Recently Souto was granted an emerging artists award from Photo District News for his work on The End of the Trail.

13th Annual DUMBO Art Under the Bridge Festival NYC 2009
+ 01: Overview
+ 02: Ruza Bagaric
+ 03: Brooklyn Art Project
+ 04: James Cospito
+ 05: J. F. Bautista
+ 06: Ellen Driscoll
+ 07: Fernando Souto
+ 08: Agata Olek
+ 09: Dean Russo
+ 10: Choichun Leung

Related SML Universe
+ SML Fine Art (Flickr / FriendFeed / Twitter)
+ SML Flickr Collections: Art + Artists
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
+ SML Pro Blog: Art
+ SML Vimeo Album: Dumbo Art Festival 2009
+ SML YouTube Playlist: Dumbo Art Festival 2009

Thursday, October 15, 2009

FASTFORWARDFOSSIL: Part 2 by Ellen Driscoll at Smack Mellon / 13th Annual DUMBO Art Under the Bridge Festival NYC 2009: Part 6 of 10 / Art + Artists

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Next we went to Smack Mellon for the artists' reception for two solo exhibitions. The first is Ellen Driscoll's installation FASTFORWARDFOSSIL: Part 2.


1. Installation

Installation (Detail) FASTFORWARDFOSSIL: Part 2 by Ellen Driscoll at Smack Mellon / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54754.P1.L1.BW / SML (by See-ming Lee 李思明 SML)

Composed of thousands of discarded plastic bottles collected by Ellen Driscoll, FASTFORWARDFOSSIL: Part 2 takes a critical look at the environmental and human damage inflicted by the oil and water industries in the last two centuries on regions as diverse as Nigeria and the United States.

Installation (Detail) FASTFORWARDFOSSIL: Part 2 by Ellen Driscoll at Smack Mellon / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54747.P1.SQ.BW / SML (by See-ming Lee 李思明 SML)


Artist Statement. “This installation is a continuation of a multi-year series which explores the dynamics of resource harvesting and consumption. This part of the series focuses on oil and water. Rising at 5:30 AM, I harvest #2 plastic bottles from the recycling bags put out for collection on the streets of Brooklyn. For one hour, one day at a time, I immerse myself in the tidal wave of plastic that engulfs us by collecting as many bottles as I can carry. The sculptural installation for Smack Mellon comprises 2600 bottles transformed into a 28 foot landscape. Constructed solely of harvested #2 plastic, the sculpture collapses three centuries into a ghostly translucent visual fugue in which a nineteenth century trestle bridge plays host to an eighteenth century water-powered mill which spills a twenty-first century flood from its structure. The flow contains North American, Middle Eastern, and African landmasses (sites of oil harvesting and their consumer destination) buoyed by a sea of plastic water molecules. The piece looks back to eighteenth century American industry powered by water, and forward to the oil refineries of the Niger Delta, site of prolonged guerilla warfare against oil corporations and the source of over fifty percent of crude oil for the United States—the oil that produces the plastic within which our privatized water is currently bought and sold.”

This installation is so gigantic that it was hard to photograph and examine the detail at the same time, so I created a video fly-through so you can experience the piece to approximate my own experience with the piece:


SML 720p HD Simulcast: Facebook / Flickr / YouTube

2. Drawings

Artist Statement. “The wall drawings in the exhibition are based on a close study of the inner workings of an oil refinery. By using huge shifts of scale between the macro and the micro, they depict a dystopic future based on rampant oil consumption. An oil rig shares the horizon with ocean fires and garbage scows, mega shopping malls are abandoned to spontaneous communities of slums, and a refugee camp is inundated by the waters of a melting glacier. The worlds in the drawings are drained of color, but filled with the flux and spillage of a potentially chaotic future.”

Drawings: FASTFORWARDFOSSIL: Part 2 by Ellen Driscoll at Smack Mellon / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54765.02.P1.CC / SML (by See-ming Lee 李思明 SML)

Drawings: FASTFORWARDFOSSIL: Part 2 by Ellen Driscoll at Smack Mellon / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54767.P1.L1.CC / SML (by See-ming Lee 李思明 SML)

Drawings: FASTFORWARDFOSSIL: Part 2 by Ellen Driscoll at Smack Mellon / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54765.P1.CC / SML (by See-ming Lee 李思明 SML)
Ellen Driscoll is a sculptor whose work includes FASTFORWARDFOSSIL: Part 1 at Frederieke Taylor Gallery, Revenant and Phantom Limb for Nippon Ginko, Hiroshima, Japan, The Loophole of Retreat at the Whitney Museum, Phillip Morris, As Above, So Below for Grand Central Terminal (a suite of 20 mosaic and glass images for the tunnels at 45th, 47th, and 48th Streets), Catching the Drift, a restroom for the Smith College Museum of Art, and Wingspun for the International Arrivals Terminal at Raleigh-Durham airport. Ms. Driscoll has been awarded fellowships from the Guggenheim Foundation, the National Endowment for the Arts, the Bunting Institute at Harvard University, the New York Foundation for the Arts, the Massachusetts Council on the Arts, the LEF Foundation, and Anonymous Was a Woman. Her work is included in major public and private collections including the Metropolitan Museum of Art and the Whitney Museum of Art. She is a Professor of Sculpture at Rhode Island School of Design.

You can check out her portfolio at ellendriscoll.net.

13th Annual DUMBO Art Under the Bridge Festival NYC 2009
+ 01: Overview
+ 02: Ruza Bagaric
+ 03: Brooklyn Art Project
+ 04: James Cospito
+ 05: J. F. Bautista
+ 06: Ellen Driscoll
+ 07: Fernando Souto
+ 08: Agata Olek
+ 09: Dean Russo
+ 10: Choichun Leung

Related SML Univese
+ SML Fine Art (Flickr / FriendFeed / Twitter)
+ SML Flickr Collections: Art + Artists
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
+ SML Pro Blog: Art
+ SML Vimeo Album: Dumbo Art Festival 2009
+ SML YouTube Playlist: Dumbo Art Festival 2009

J. F. Bautista / 13th Annual Art Under the Bridge Festival NYC 2009: Part 5 of 10 / Art + Artists

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I met J. F. Bautista (BAP) towards the end of my tour of the Brooklyn Art Project headquarter.

J. F. Bautista, Brooklyn Art Project HQ / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54672.P1.L2.SQ.BW / SML (by See-ming Lee 李思明 SML)

Three of his paintings from the series Mutant Organic Architecture were seen at the office (the three black and white paintings on the left):

Paintings by J. F. Bautista (jfbart) at Brooklyn Art Project HQ / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54671.P1.L2 / SML (by See-ming Lee 李思明 SML)

So what are they?

Artist description: this project is about the absolute mutation of our metropolis, reversing the process of evolution and turning things inside out. The end result is the unfolding of fantastic new architecture, and it draws whomever into the depths of a gigantic, dark, strange and absurd morphed grimy variegated skeletal, organic living reptilian defined as Organic Mutant Architecture or New York Modern in reverse.

Or if you prefer plain English like I do, here's a video of the artist talking about his own work:



SML 720p HD Simulcast: Facebook / Flickr / YouTube


J. F. Baustista is an architect by profession and he works with his paintings in his free time. His art and architecture portfolio can be seen at his web site at jfbart.com.

13th Annual DUMBO Art Under the Bridge Festival NYC 2009
+ 01: Overview
+ 02: Ruza Bagaric
+ 03: Brooklyn Art Project
+ 04: James Cospito
+ 05: J. F. Bautista
+ 06: Ellen Driscoll
+ 07: Fernando Souto
+ 08: Agata Olek
+ 09: Dean Russo
+ 10: Choichun Leung

Related SML Univese
+ SML Fine Art (Flickr / FriendFeed / Twitter)
+ SML Flickr Collections: Art + Artists
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
+ SML Pro Blog: Art
+ SML Vimeo Album: Dumbo Art Festival 2009
+ SML YouTube Playlist: Dumbo Art Festival 2009

Wednesday, October 14, 2009

James Cospito / 13th Annual DUMBO Art Under the Bridge Festival NYC 2009: Part 4 of 10 / Art + Artists

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The Brooklyn Art Project HQ doubles as James Cospito's studio, so naturally I get to do some interviews with him at the same location.

James Cospito, Brooklyn Art Project HQ / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54642.P1.L2.SQ.BW / SML (by See-ming Lee 李思明 SML)

James Cospito (BAP / Facebook / Flickr / LinkedIn / SML Flickr / Twitter) is an artist, painter, photographer, illustrator, designer in New York City. He is also the Co-Founder / Creative Director at StrutNYC and BrooklynArtProject.

In this short video interview, James Cospito talks about his process in creating his NYC Subway series:



SML 720p HD Simulcast: Facebook / Flickr / YouTube

And photography shot during that day:

1. James carries a Moleskine with him and does quick ink drawings on the notebooks as he rides the subway. He applies watercolors to them afterwards. This mixed media painting titled si ves algo II, was created based on his Moleskine sketches.

Painting: si ves algo II by James Cospito, Brooklyn Art Project HQ / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54606.P1.L1 / SML (by See-ming Lee 李思明 SML)

2. Subway Moleskine Sketches

James Cospito's NYC Subway Moleskine Sketches, Brooklyn Art Project HQ / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54650.P1.L2.C23 / SML (by See-ming Lee 李思明 SML)

3. More Moleskine sketches

James Cospito's Moleskine Sketches, Brooklyn Art Project HQ / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54646.P1.L2.C23 / SML (by See-ming Lee 李思明 SML)

4. Tools matter. James' weapon of choice for his Moleskine sketches: the Rotring rapidograph, for its ability to draw very fine lines as well as its archival quality.

Artist Toolbox: James Cospito, Brooklyn Art Project HQ / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54660.P1.L2.C23 / SML (by See-ming Lee 李思明 SML)

5. Moleskine lovers rejoice!

James Cospito's Moleskine Stash, Brooklyn Art Project HQ / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54637.P1.L2.C23 / SML (by See-ming Lee 李思明 SML)

6. Mixed Media Painting: ContinentalDivide lr by James Cospito. 3,500 USD. Available for purchase at artist's website.

Mixed Media Painting: ContinentalDivide lr by James Cospito at Brooklyn Art Project HQ / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54629.P1.L1.SQ / SML (by See-ming Lee 李思明 SML)

7. Artist Toolbox: lots and lots of clamps!

Artist Studio: James Cospito / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54626.P1.L2.SQ / SML (by See-ming Lee 李思明 SML)

8. Artist Toolbox: wild array of paintbrushes.

Artist Studio: James Cospito, Brooklyn Art Project HQ / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54616.P1.L2 / SML (by See-ming Lee 李思明 SML)

9. Still Life Drawing (Detail).

Still Life Drawing (Detail) by James Cospito, Brooklyn Art Project HQ / DUMBO Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54608.P1.L2.SQ / SML (by See-ming Lee 李思明 SML)

10. Still Life Drawing (Detail). I thought that the blue marks are interesting bit. I didn't know that it was James' work when I photographed these originally so I did not inquire as to their function, but they add an interesting accent to the piece:

Still Life Drawing (Detail) by James Cospito, Brooklyn Art Project HQ / Dumbo Arts Center: Art Under the Bridge Festival 2009 / 20090926.10D.54607.P1.L2.SQ / SML (by See-ming Lee 李思明 SML)

13th Annual DUMBO Art Under the Bridge Festival NYC 2009
+ 01: Overview
+ 02: Ruza Bagaric
+ 03: Brooklyn Art Project
+ 04: James Cospito
+ 05: J. F. Bautista
+ 06: Ellen Driscoll
+ 07: Fernando Souto
+ 08: Agata Olek
+ 09: Dean Russo
+ 10: Choichun Leung

Related SML Univese
+ SML Fine Art (Flickr / FriendFeed / Twitter)
+ SML Flickr Collections: Art + Artists
+ SML Flickr Sets: Dumbo Arts Center: Art Under the Bridge Festival 2009
+ SML Pro Blog: Art
+ SML Vimeo Album: Dumbo Art Festival 2009
+ SML YouTube Playlist: Dumbo Art Festival 2009