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Showing posts with label audio. Show all posts
Showing posts with label audio. Show all posts

Wednesday, December 30, 2009

SoundCloud = Innovative Social Network for Musicians

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SoundCloud is a social network startup for musicians based in Berlin. Originally from Stockholm, the founders created the site after they have grown "tired of getting emails with YouSentIt links or FTP log-ins just to be able to check out [their] friends latest soon-to-be released tracks."

Just a couple of years ago, when you mention music and social networks, the first site that came to mind is MySpace. Yes, MySpace is a social network and they do put much weight on music and musicians, but MySpace fails to innovate beyond implementing comments + music player, and that is barely social. In this blog post I will go through the many innovations SoundCloud brought to the music scene and explain why I like it so much.

Innovation 1: Time-based comments

SoundCloud Innovation: Time-based Comments / 2009-12-29 / SML (by See-ming Lee 李思明 SML)


Commenting is the backbone of every social network, but what SoundCloud provides which no one else did was time-based commenting. Each track on SoundCloud is displayed as a waveform, so you can visually see how the music looks like. You can leave a comment to the entire track, but most useful is to get feedback on a specific time segment on the track. Best of all, the UI automatically displays those comments when the playhead hits the time code, which is uber cool.

Innovation 2: Continuous playback of recent tracks from people you follow

SoundCloud Innovation: Continuous playback of recent tracks from people you follow / 2009-12-29 / SML (by See-ming Lee 李思明 SML)


A really useful feature on SoundCloud is the ability to play all the tracks from people you follow. Most social networks for musicians tend to treat the musician as a social media object, and if you want to hear what's new, you need to browse the musician's page to hear his/her new songs. SoundCloud, on the other hand, treats each track as a social media object, and places all the tracks on the same page. Best of all, whenever you are on a page with multiple tracks, hitting the play button will play all the tracks on the same page one after another. Want to be forever entertained by great original music? Sign up an account, follow a bunch of people you like and voila!

Innovation 3: Push to other social networks

SoundCloud Innovation: Push to other social networks / 2009-12-29 / SML (by See-ming Lee 李思明 SML)


SoundCloud has tight integration with other social networks. It currently supports integration with Twitter, Facebook and MySpace. You can independently customize the message you want to send to push to the different networks, with the option to select whether or not to publish your own tracks and favorites. I push new tracks to Twitter + Facebook but to lower the noise level on my very active Twitter feed, I do not publish favorites to it. The customizable message is sweet as it allows me to hashtag my tweets more easily for data indexing and searching (which I now use extensively on Friendfeed).

Here's an official demo video so you can see this action:

Innovation 4: DropBox

SoundCloud Innovation: DropBox / 2009-12-29 / SML (by See-ming Lee 李思明 SML)


One of the most frustrating experience working with musicians and sound designers is sending large audio files back and forth. Do you put it on the FTP? Do you RapidShare? Host your own extranet? Creating custom and secured solutions are often costly, but SoundCloud made it easy with their DropBox. The DropBox enables everybody, even people who are not on SoundCloud, to share their tracks with you. The DropBox supports a versatile range of audio formats: AIFF, WAVE, FLAC, OGG, MP3 and AAC. Best of all, there is no file size limit to your uploads!

The embeddable widgets is written completely in html + css, which means that you can style it anyway you want, but the minimally designed stock widgets in both white and black fits in perfectly on any graphic design you already have.

See this in action:

Conclusion

All in all I have had a very good experience on SoundCloud, and I have been recommending it to all my musician + sound designer friends. While SoundCloud intends to be a tool for musicians, it is also a really great way for music lovers who wish to discover indie music not found any where else. Because of the very active community and group participation, I am grateful to have met many great artists in Brooklyn as well as people around the world who are passionate about symphonic electronca.

If you are on SoundCloud, add me at http://soundcloud.com/seeminglee! :)

SoundCloud on the Web

+ http://soundcloud.com
+ Facebook: http://facebook.com/soundcloud
+ Facebook Group: http://www.facebook.com/group.php?gid=17862154200
+ Flickr: http://flickr.com/soundcloud
+ MySpace: http://myspace.com/soundcloudcom
+ Twitter: http://twitter.com/soundcloud

Wednesday, June 13, 2007

Symphonic Electronica = Synergy of Music Ideology

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It is my life's dream to be able to work symphonic instruments together with electronic instruments. It's a simple idea really, and I expect that I should hear it somewhere soon, but I did not.


Contemporary classical music using electronic instruments are often very 'analytical,' and to me, they aim for dissonance and atonal but somehow loses its soul. I played a lot of piano music in Bartok, Rachmininoff and the like when I was a teenager, but deep down I much prefer Baroque.


Process


On my path to broaden my musical taste, I came across Steve Reich's Music for 18 Musicians. It's contemporary classical but very listenable. On the booklet which comes with the CD, Steve recalled that his professor once advised him--I can't find the exact quote--that if he wishes to make harmonized music, he should just write harmonized music. I took this to heart and started writing simple fugues, using counter-point techniques that I once learned in college for music composition.


On the electronic music front, there has been a few DJs, most notably William Orbit, who has attempted to redo baroque classics in electronic music--but in my opinion, they are no difference than sampling records in the 70s and claiming as their own by putting a few VST filters on them. Indeed, Pieces in a Modern Style is so disappointing that I question how it ever got out of the studio.


Then one day while I was listening to trance on Rhapsody -- my pumping background music for work, I came across Hybrid's Finished Symphony. It was the first symphonic electronica piece that I responded to. It combines symphonic parts with electronic instruments and have a lot going for it. It is from there that I thought to myself that perhaps it is not such a bad idea to do something about it.


I started writing this piece in early 2006 as a way to fight depression. Music lets me free from my surroundings and allows me to go places where words and images cannot. But like most afflicted with NADD, I have trouble finishing it, and I was also too insecure to release this piece for fear of getting excruciatingly bad reviews that I probably would not be able to handle.


Studies


In the late summer of 2006, on my research to figure out how to construct better dance beats (since I'm a classically trained pianist, I naturally had no training in percussion and must somehow acquire that knowledge), I came across a fact that many DJ contests on the Web which gives out pristine vocal tracks for download to be remixed and uploaded. At that time, I was toying with Sony ACID Pro, so naturally I signed up with ACIDPlanet and began producing.


My intention was to do these mixes just as studies, to gain experience, in order to write my Symphonic Electronica piece. So I simply took the vocal tracks of all these songs, throw away all the synths, percussion and instrumental parts and throw in my own strings, choir samples and baroque instruments for a symphonic / choir mix of commercial dance remixes!


My first remix is Madison Park's All about the Groove (original commercial release / my remix) To my surprise, I received many positive feedback, both from friends whom I know and from strangers who were kind enough to provide me with criticisms. The best comment came from Steven Hall, a friend of mine who is a music producer by profession. He noted that this was the first piece I have created that is actually good. I took that to heart, and so began a new hobby--mixing music from ACIDplanet.


One thing great about contests is that you get to learn a lot from other entries. It is from these entries that I discovered new ways of handling samples, and experimenting with different things. Coming across Ableton Live was also a blessing, which enables the programmer side of me to experiment with settings that are too challenging in a linear setup like Cubase.


Symphonic Electronica Opus 0.5.9


After many months of remixing, I came back my Symphonic Electronica piece again. From my experience of the remixes, I identified my style and decisions. I decided to publish this piece and ask the world for my opinion. So here is one of many sketches of musical ideas:


Symphonic Electronica Opus 0.5.9 (04:14) / ACIDplanet WMA / ArtistServer MP3
Copyright 2006-2007 See-ming Lee. All rights reserved.



What I am aiming for is a synergy of symphonic and electronic instruments, as a co-existing harmony, like a vanilla+chocolate twist you get on an ice cream truck on the street when you were a little boy / little girl.


Unlike my other music posted on AcidPlanet, it is 100% original material.


Feedback


I have learned much from other people's feedback and comments for my photographs on Flickr and my music on ACIDplanet. As such, if you are reading this post, I would highly appreciate your thoughts and comments, as I can only get better with constructive criticisms.


Appendix: Music Studies Playlist












  1. Volley Ball / Steven Hall / SML (04:16) / WMA stream / RM / MP3 download
    StevenHall.VolleyBall.SML.0.4.7.M1.R
    Copyright 2007 Steven Hall / See-ming Lee. All rights reserved.


  2. Symphonic Electronica Opus 0.5.9 (04:14) / WMA stream / MP3 download
    Copyright 2006-2007 See-ming Lee. All rights reserved.




Appendix: Symphonic Electronica Soundtracks


Before these studies, I did some loop-based soundtracks for two client showcases for the living + perpetually creative company that I work at:


  1. IconNicholson Client Showcase 2005 - WMV / hi-fi - YouTube / lo-fi

    Copyright 1987-2007 IconNicholson / See-ming Lee. All rights reserved.

  2. IconNicholson Client Showcase 2005 Indian Country Edition - WMV / hi-fi - YouTube / lo-fi

    Copyright 1987-2007 IconNicholson / See-ming Lee. All rights reserved.


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